Ilana Gilovich-Wave

B.A., English (major) and Theatre (minor), Cornell University; M.A., English Literary Studies, Queen's University Belfast

Research interests: Global Shakespeares, translation, dance, prison theatre, theories of movement and the body, film studies, performance studies, adaptation

Publications:

“‘The Camera Chooses the Star’: Trans-medial Ventriloquism in Punchdrunk’s ‘The Drowned Man.'” Body, Space, Technology, Vol 21. (2022). Web. https://www.bstjournal.com/article/id/8025/

“‘Speechless Complainer’: (Un)natural Violence in Dominic Walsh’s ‘Titus Andronicus.'” Critical Stages / Scènes Critiques, Vol 25 (2022). Web. https://www.critical-stages.org/25/speechless-complainer-unnatural-violence-in-dominic-walshs-titus-andronicus/

“‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man ‘Macbeth.'” Actes des congrès de la Société française Shakespeare, Vol 39 (2021). Web. https://journals.openedition.org/shakespeare/6104

“Amapola’s Queen of Mambo.” The Shakespeare and Dance Project. Web. https://shakespeareandance.com/articles/amapola-mambo-queen/

“Dauntless.” Ad Alta: The Birmingham Journal of Literature, Vol 12 (2022). Web. https://issuu.com/adaltabjl/docs/ad_alta_2020-21

Dissertation:

“Form and Conformity: Bodysnatching in Anglo-American Drama, 1996-2019”