B.A., English (major) and Theatre (minor), Cornell University; M.A., English Literary Studies, Queen's University Belfast
Research interests: Global Shakespeares, translation, dance, prison theatre, theories of movement and the body, film studies, performance studies, adaptation


“‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth,” Actes des congrès de la Société française Shakespeare [En ligne], 39 | 2021, mis en ligne le 21 juin 2021, consulté le 23 août 2021. URL : http://journals.openedition.org/shakespeare/6104 ; DOI : https://doi.org/10.4000/shakespeare.6104



“Form and Conformity: Bodysnatching in Anglo-American Drama, 1996-2019”